Alright, let’s talk rom-coms. Specifically, let’s talk about the things I love, the things that drive me up a wall, and where this book lands.

First off, a personal gripe: I don’t love the over-exposition of a main character’s romantic woes right out the gate. I get why it’s there—so we understand them, so we empathize, so the act three redemption hits harder—but sometimes, I just want to get to the plot. And Eli? Eli is spiraling. Hard. He’s got that classic insufferable rom-com lead energy, and while it makes sense for the story, it took a minute to settle into.

Then there’s the supporting cast—Rose, the chaotic friend, Patricia, the grounding presence. The archetypes are in place, and the book leans into them well. But let’s pause for a moment because I need to know: what is the deal with coming for the Yoshi build in Mario Kart? Is this a queer thing? Because I feel called out.

But once the love interest enters? I’m in. Despite my initial gripes, the writing is solid, and even if Eli is a lot, the rom-com energy is strong. The first date? A complete disaster. And I loved every second of it. I laughed. I cringed. It was a horrible, horrible, horrible date in the best way possible.

Now, let’s talk representation. This book isn’t just a rom-com with queer characters—it’s a rom-com that understands queer culture. It weaves in conversations about monogamy, identity, and community in ways that feel natural. There’s an authenticity here that’s refreshing, even if it took a couple of chapters for the story to find its rhythm. But once it did? Oh, I was hooked.

And Peter? Sweet, lovely, too-good-for-this-world Peter? I have a little book crush. He’s just out here trying his best, and I adore him. Meanwhile, Michael can burn in hell, and I’d be fine with that.

As the story moves along, it really hits its stride. The tropes are strong, but they work. The writing style is approachable, not overly deep, but it doesn’t need to be—it’s here to tell a story about love, identity, and figuring things out. And yeah, I wanted to skip past the inevitable rom-com falling out, but I get why it’s there. The emotional beats still land, and when it hurts, it hurts.

And the cry meter? Yeah, I cried. The dance scenes in particular hit me right in the heart. This book has moments that are just so sweet, and they’re done well.

If you love rom-coms, if you want queer representation that feels real, and if you can handle a lead who is a lot at first but grows on you, this book delivers. The journey is worth it. Just be warned—there is a sex scene, and the third-act heartbreak? Yeah, it stings. But, like any good rom-com, it comes back around.

Final verdict: If you’re in the mood for a queer rom-com that balances chaos and charm, this one’s worth picking up.

Rating

I loved this book and I think it is a delightful read for anyone who is in need for a queer rom-com. Be warned you may cry.